Hite Art Institute looks at art in nature and technology in two new exhibitions
January 18, 2017Hite Art Institute is showing two concurrent exhibitions this winter that consider weighty topics: ecology and digital technology.
“Unseen: Visualizing Ecological Systems,” at Schneider Hall Galleries on campus, explores the intersections of art and ecology with sculptures and drawings by Stephen Cartwright and Shohei Katayama.
[caption id="attachment_34720" align="alignleft" width="178"] Shohei Katayama[/caption]
The exhibition, curated by critical and curatorial studies master’s candidate Madison Sevilla, is on display now through Feb. 24 and has garnered high praise.
“This is extremely strong work. It's a great show,” said Chris Reitz, Hite’s director of galleries.
Cartwright is a professor and associate director for the School of Art and Design at the University of Illinois in Urbana-Champaign. His work uses data from his life (such as wind patterns, temperature and precipitation measured against his activity and mental health) to make sculptures that function as self-portraits.
[caption id="attachment_34722" align="alignright" width="178"] Stephen Cartwright[/caption]
Katayama is a Japanese American artist based in Louisville and has shown at the Asia Institute Crane House and PYRO Gallery. He uses materials such as magnets and iron flakes to create pieces that reflect events in nature, like disasters and pollution.
“Cartwright and Katayama offer visualizations of the infinite and continuous ecologies that constitute our routines,” Sevilla said.
[caption id="attachment_34727" align="alignleft" width="169"] Tabor Robak[/caption]
Hite's next exhibition, “Painting in the Network: Algorithm and Appropriation,” is Feb. 10-April 8 at the Cressman Center for Visual Arts, 100 E. Main Street. It features the work of seven contemporary artists whose work stands at the crossroads of painting and digital technology.
“Most of these artists are very talented computer programmers —talent evidenced by their elaborate digital compositions and sophisticated algorithms,” Reitz said.
Tabor Robak’s “Darkroom” (2016) for example, looks like a large hanger on a spaceship as seen through an endlessly moving, living windowpane. Although his images look like video games, they also maintain aesthetic and compositional concerns that affirm his work is part of the long history of modern painting.
[caption id="attachment_34723" align="alignright" width="200"] Siebren Versteeg[/caption]
“Painting in the Network” includes work by artists from across the globe: Siebren Versteeg, Gabriel Orozco, Cory Arcangel, Tabor Robak, Davis Rhodes, Laeh Glenn and Alex Dodge.
The opening reception is 6-8 p.m. Feb. 10.